Short essay on leonard petiel

Crumb’s comic art—which he has described in almost therapeutic terms as an emptying of his “garbage receptacle” unconscious—is balanced by his more sober and nostalgic illustrations, the counterweight to the “crap” of his childhood media exposure. One might even think of Crumb’s consumption of old-time music and imagery as a kind of cultural health food diet. One of the most popular of his nostalgic works is “A Short History of America” (1979) a series of panels showing the shift from open countryside, to the town settlements brought by the railroads, to the gross overdevelopment of the late-twentieth century. The only text besides the title (and the burgeoning billboards and street signs) is a coda at the bottom-right-hand of the last panel asking, “What next?!!!” You can see the comic animated above (top), set to an old-time piano piece. Another fitting version of his vision of the country’s growth (or ruination) is above, in color, scored by Joni Mitchell’s “Big Yellow Taxi.” See the full series of images here and here , and be sure to check out Crumb's three epilogue speculations on what's next.

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I got a nice new piano. I am giving my old one away. The piano we used a few weeks ago at 2nd Story Recording Studio has the long lost old Sorcerer piano in it, the one I recorded Dead Boy and certain songs from the last album on a few years ago!!! I was so happy to see it again. It seemed different. I tried to pretend that I recognized it. But it reminded me of the cat that changed color when it got a new owner. Norah Jones recorded her first record on that piano too. Anyway it sounded great.

Short essay on leonard petiel

short essay on leonard petiel


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